2000-present :: 1990-1999 :: 1980-1989 :: Before 1980 :: Workshops
| It Runs In The Family | by | Ray Cooney, | directed by Jeff Graves, | November | 2007 |
| Fred and Madge | by | Joe Orton, | directed by Val Foskett, | May | 2007 |
| Showcase LXXX | by | The Company, | directed by The Company, | February | 2007 |
| Teechers | by | John Godber, | directed by Ian Ward, | November | 2006 |
| Outside Edge | by | Richard Harris, | directed by Debbie Fowler, | August | 2006 |
| The Resistable Rise of Arturo Ui | by | Berthold Brecht, | directed by Michael Ahmad, | June | 2006 |
| Showcase LXXIX | by | The Company, | directed by The Company, | February | 2006 |
| Stags and Hens | by | Willy Russell, | directed by Carl Whiteside, | November | 2005 |
| Theatre Of The Mind: Marat/Sade | by | Mehmet C Izbudak, | directed by Mehmet C Izbudak, | May | 2005 |
| 2005 Gala | by | The Company, | directed by The Company, | April | 2005 |
| An Evening of Dilemmas - The 2005 Showcase | by | The Company, | directed by The Company, | March | 2005 |
| Two | by | Jim Cartwright, | directed by Debbie Fowler, | November | 2004 |
| Habeas Corpus | by | Alan Bennett, | May | 2004 | |
| love(and loathing)actually - The 2004 Workshops | by | The Company, | directed by The Company, | February | 2004 |
| Alfie | by | Bill Naughton, | directed by Val Foskett, | August | 2004 |
| Two Gentlemen of Verona | by | William Shakespeare, | directed by Pippa Cain, | October | 2003 |
| Dr. and Mrs. Faustus | by | Mehmet C Izbudak, | directed by Mehmet C Izbudak, | May | 2003 |
| Six of the Best - The 2003 Workshops | by | The Company, | directed by The Company, | February | 2003 |
| Trivial Pursuits | by | Frank Vickery, | November | 2002 | |
| Much Ado About Nothing | by | William Shakespeare, | directed by Val Foskett, | June | 2002 |
| Acts Of Love - The 2002 Workshops | by | The Company, | directed by The Company, | January | 2002 |
| End Of The Food Chain | by | Tim Firth, | February | 2002 | |
| 'Tis Pity She's A Whore | by | John Ford, | directed by Mehmet C Izbudak, | October | 2001 |
| Macbeth | by | William Shakespeare, | directed by Carl Whiteside, | May | 2001 |
| What the Butler Saw | by | Joe Orton, | July | 2001 | |
| The 2001 Workshops | by | The Company, | directed by The Company, | February | 2001 |
| The Hypochondriac | by | Molière, | directed by Mehmet C Izbudak, | October | 2000 |
| A Chorus of Disapproval | by | Alan Ayckbourn, | May | 2000 | |
| 84 Charing Cross Road | by | Helene Hanff and James Roose-Evans, | March | 2000 | |
| Something To Talk About - The 2000 Workshops | by | The Company, | directed by The Company, | February | 2000 |
| The Killing of Sister George | by | Frank Marcus, | August | 2000 | |
| A Midsummer Night's Dream | by | William Shakespeare, | October | 1999 | |
| The Visit | by | Friedrich Dürrenmatt, | May | 1999 | |
| Fur Coat and No Knickers | by | Mike Harding, | February | 1999 | |
| The Lion in Winter | by | James Goldman, | June | 1998 | |
| Blithe Spirit | by | Noel Coward, | July | 1998 | |
| Lysistrata | by | Aristophanes, | April | 1998 | |
| The Merchant of Venice | by | William Shakespeare, | October | 1997 | |
| A Woman of No Importance | by | Oscar Wilde, | May | 1997 | |
| The Ruffian on the Stair | by | Joe Orton, | October | 1996 | |
| The Erpingham Camp | by | Joe Orton, | October | 1996 | |
| A Dream Play | by | Augustus Strindberg, | May | 1996 | |
| The Tempest | by | William Shakespeare, | November | 1995 | |
| Amadeus | by | Peter Shaffer, | March | 1995 | |
| Orestes | by | Euripides, | November | 1994 | |
| Witness for the Prosecution | by | Agatha Christie, | February | 1994 | |
| Twelfth Night | by | William Shakespeare, | November | 1993 | |
| On Monday Next | by | Philip King, | directed by Denis Steer, prod. Bob Gilbert, | February | 1993 |
| Hayfever | by | Noel Coward, | directed by Tony Strong, | October | 1992 |
| Plaza Suite | by | Neil Simon, | directed by S. Rock / M. Cronin / C. Carroll, | May | 1992 |
| Juno and the Paycock | by | Sean O'Casey, | directed by Dave Freeman, | March | 1992 |
| A Chorus of Disapproval | by | Alan Ayckbourn, | directed by Eve Manghani and Carol Melaugh, | October | 1991 |
| The Crucible | by | Arthur Miller, | directed by Liz Siese, Prod. Bob Gilbert, | May | 1991 |
| The Good and Faithful Servant | by | Joe Orton, | directed by Val Foskett, | February | 1991 |
| The Real Inspector Hound | by | Tom Stoppard, | directed by Clair Carroll, | February | 1991 |
| The Hollow | by | Agatha Christie, | directed by Dave Freeman, | October | 1990 |
| The Sea | by | Edward Bond, | directed by Tony Strong and Val Foskett, | May | 1990 |
| No Sex Please, We're British | by | Alistair Foot and Anthony Marriott, | directed by Denis Steer, | February | 1990 |
| The Lower Depths | by | Maxim Gorky, | directed by Adrian Waitt, | October | 1989 |
| Between Mouthfuls | by | Alan Ayckbourn, | directed by Tony Strong, | May | 1989 |
| Absent Friends | by | Alan Ayckbourn, | directed by Tony Strong, | May | 1989 |
| Gosforth's Fete | by | Alan Ayckbourn, | directed by Maurice Williams, | June | 1989 |
| Carlton Calvacade | by | The Company, | directed by Pat Bryant / Liz Siese, Prod. Bob Gilbert, | February | 1989 |
| After Magritte | by | Tom Stoppard, | directed by Dave Freeman, | June | 1988 |
| Life with the Girls | by | John Wooldridge, | directed by Tony Strong, | February | 1988 |
| Pack of Lies | by | Hugh Whitemore, | directed by Liz Siese, | November | 1987 |
| Habeas Corpus | by | Alan Bennett, | directed by Lynne Smart, | May | 1987 |
| Trelawney of the Wells | by | Arthur W Pinero, | directed by Lynne Smart, | January | 1987 |
| Il Fornicazione | by | Michael Green, | directed by Jim Steel, | April | 1987 |
| Pygmalion | by | George Bernard Shaw, | directed by Bob Mallet, | March | 1986 |
| The Importance of Being Ernest | by | Oscar Wilde, | directed by Dave Freeman, | March | 1986 |
| Fru-Fru | by | Unknown, | directed by Paul Trussell, | March | 1986 |
| Murder in Company | by | Philip King and John Boland, | directed by Paul Trussell, | June | 1986 |
| Mice Will Play | by | Dudley Freeman, | directed by Tony Strong, | November | 1985 |
| See How They Run | by | Philip King, | directed by Denis Steer, | March | 1985 |
| Hobson's Choice | by | Harold Brighouse, | directed by Joyce Bright, | June | 1985 |
| Timesneeze | by | David Campton, | directed by Jim Steel, | June | 1984 |
| Wait Until Dark | by | Frederick Knott, | directed by Liz Siese, | February | 1984 |
| The Beggar's Opera | by | John Gay, | directed by Lynne Smart, | December | 1984 |
| Goodnight Mrs. Puffin | by | Arthur Lovegrove, | directed by Tony Strong, | October | 1983 |
| Anastasia | by | Guy Bolton, | directed by Raymond Wright, | May | 1983 |
| Harliquinade | by | Terence Rattigan, | directed by Phillip Lawder, | February | 1983 |
| The Browning Version | by | Terence Rattigan, | directed by Phillip Lawder, | February | 1983 |
| Back Where We've Never Been | by | William Bankier, | directed by Bill Bankier, | May | 1982 |
| The Hound of the Baskervilles | by | Tim Kelly, | directed by Raymond Wright, | February | 1982 |
| Antigone | by | Jean Anouilh, | directed by Raymond Wright, | February | 1982 |
| Blithe Spirit | by | Noel Coward, | directed by Denis Steer, | December | 1982 |
| Habeas Corpus | by | Alan Bennett, | directed by Phillip Lawder, | October | 1981 |
| A Month in the Country | by | Ivan Turgenev, | directed by Liz Siese, | February | 1981 |
| The Happiest Days of Your Life | by | John Deighton, | directed by Paul Mason, | April | 1981 |
| The Real Inspector Hound | by | Tom Stoppard, | directed by Phillip Lawder, | October | 1980 |
| A Separate Peace | by | Tom Stoppard, | directed by Lynne Smart, | October | 1980 |
| Separate Tables | by | Terence Rattigan, | directed by Tony Strong, | May | 1980 |
| Love In A Mist | by | Kenneth Horne, | directed by Denis Steer, | February | 1980 |
| The Constant Wife | by | W. Somerset Maughan, | November | 1979 | |
| The Pillars of Society | by | Henrik Ibsen, | May | 1979 | |
| Suddenly at Home | by | Francis Durbridge, | November | 1978 | |
| Dead Reckoning | by | D. D. Wellman, | March | 1978 | |
| There Goes The Bride | by | Ray Cooney and John Chapman, | April | 1978 | |
| The Crucible | by | Arthur Miller, | May | 1977 | |
| Surprise Package | by | Duncan Greenwood, | February | 1977 | |
| Relative Values | by | Noel Coward, | December | 1977 | |
| They Came To A City | by | J. B. Priestley, | November | 1976 | |
| Present Laughter | by | Noel Coward, | May | 1976 | |
| On Monday Next | by | Philip King, | February | 1976 | |
| March To A Different Drum | by | Albert W. Morton, | May | 1974 | |
| Life With The Girls | by | John Wooldridge, | February | 1974 | |
| Pride and Prejudice | by | Helen Jerome, | October | 1973 |
For our workshop productions, we have performed everything from Japanese Noh plays to John Godber. Various members of the Carlton have also written short plays and these workshops provide an ideal situation in which to try them out.
Back to top